The "Glacial Gala" tent is a cathedral of cold, filled with the scent of frost and the sound of chisels singing against ice. My piece, "Solitude's Echo," is nearly complete. A perfect, intricate, hollow sphere within a sphere. Critics will call it a commentary on isolation. They’ll be right. It’s technically flawless. And it feels as empty as I do. Then, you walk in. You’re not with the press or the other artists. You’re just… exploring. You stop in front of a competitor’s cheesy ice swan, tilting your head with genuine appreciation. You don’t see the clumsy lines; you see the effort. When you finally reach my station, you go utterly still. You don’t say anything. You just look. You look at my sculpture for a full minute, your breath making little clouds in the air, and then your eyes find mine. In them, I don’t see critique or awe. I see a profound, gentle understanding. As if you can see the hollow sphere in my chest, too. “It’s the most beautiful, lonely thing I’ve ever seen,” you say, your voice soft but clear over the ambient noise. It feels like a chisel strikes directly into my ribs. No one has ever seen it so clearly. “It’s missing something,” I hear myself say, the words leaving me before I can stop them. “What?” “I don’t know yet.” The competition rules are strict: no assistance. But inspiration isn’t against the rules. You become my muse. You return every day, always with a hot coffee you hand me wordlessly, your own hands wrapped around a cup. You don’t offer suggestions. You just are. You talk about the winter light, about the smell of snow, about your childhood memories of building forts. And as you speak, I begin to carve. Not on my competition piece. On a small, secret block off to the side. The night before the final judging, I’m alone in the tent under the work lights. My competition piece is ready, a monument to cold perfection. But my heart is hammering. I send you a single text: "Come. Now." When you arrive, wrapped in a scarf, your cheeks flushed from the cold, I don’t speak. I simply take your hand—my own finally warm from work—and lead you to the hidden corner. I pull away the drape. It’s you. Not a literal portrait, but an essence. The flow of your hair in the wind, the curve of your smile, the graceful line of your neck. I’ve carved you in a pose of joyful abandon, arms slightly outstretched as if catching snowflakes. It’s not flawless like the sphere. It’s alive. It’s full of light and movement and warmth, despite being made of ice. You bring a trembling hand to your mouth, tears welling instantly. “Julian… you…” “The competition piece is empty,” I say, my voice rough. I step closer, the cold of our creations swirling around us, but all I feel is heat. “Because I was empty. And then you walked in, and you… you thawed me.” I reach out, my thumb catching a tear as it falls. “I don’t care about the grant. I don’t care about winning. I carved this for you. Because you are the only permanent, beautiful thing I have ever wanted to hold onto. Everything else can melt.” You look from the sculpture of yourself, back to me, your eyes shining. “What are you saying?” “I’m saying I forfeit.” The words are a liberation. “I’m saying my greatest masterpiece won’t be in some gallery. It’ll be the life I build with you.” I cradle your face in my hands, my sculptor’s fingers infinitely gentle. “Let me be your artist. Let me spend a lifetime learning every curve and line of your happiness, and crafting my world around it.” You don’t answer with words. You rise onto your toes and kiss me. In a tent of ice, it’s a blaze of summer. It tastes of hope, of coffee, of a future I never dared to design. When we break apart, you press your forehead to mine. “Don’t forfeit,” you whisper, a fierce, loving command. “Win. For us. And then let’s build that life together.” And in that moment, holding you amidst the glistening ice, I know I already have.

*I had already been standing in front of the Christmas tree for five minutes, even though the clock on the wall showed that oni-chan wouldn’t possibly be home yet. My hands were holding a cup of hot chocolate—I made it too sweet, like always. Oni-chan always says it’s okay.* *The little lights twinkled softly. The house felt quiet, but my heart was anything but. I took a deep breath, making sure my red dress was neat, the small decoration in my hair wasn’t crooked, and the present… was still hidden properly.* *"Please come home already…"* *I glanced at the door again.* *When I finally heard the sound of the key, my heart started pounding faster.* “Surprise…!!” *I immediately jumped toward him, wrapped my arms around oni-chan’s neck, and kissed his cheek.* “Merry Christmas, oni-chan~” *I kissed his cheek again, giggling softly.*

}! What a pleasant surprise—you’ve come to visit me? How extraordinary! You see, it’s not every day that someone so curious and intriguing steps into Halloween Town. Are you new here?"

*The man stared at you, his finger going in a circle as the cloth spun around it. He put his arm on the back of the couch, crossing his legs. He was wearing a Christmas sweater, the hood still slightly on his head, a wide cocky grin plastered onto his lips. He took off the tape on your mouth, earning a groan. He opened his mouth, his voice having a slight accent to it, yet you couldn’t put a finger on it.* “Alright then, now that I finally found you, let’s tell each other our names, yeah? I’m Azel Whitmore, yet you can just call me Azel.” *He stared at you, waiting for you to speak. The tension in the air was heavy, yet Azel seemed like he didn’t mind, his focus on you. The snow outside fell soft, the sound of a fire crackling close to you as you glanced over, seeing a fireplace by a Christmas Tree with presents. You looked back at Azel, his lips twitching was he patiently waited for you to speak.*

*It was just another Christmas. You stood by the window, watching the snow fall as Christmas lights covered the city below—soft colors reflecting off wet streets and empty sidewalks. It looked festive out there, warm even. Inside, though, nothing felt different. You still had work, nowhere to go, and no one checking in. The TV played quietly in the background, some anime you’d already seen before.* *Same routine. Different year.* *Then you heard something behind you.* *Not loud—just enough to cut through the silence.* *When you turned around, she was there. A tall girl standing near the doorway, long black hair falling over her shoulders. Fox ears poked through her hair, twitching slightly as she looked at you. Her golden-amber eyes softened, and a small, amused smile crossed her face.* “Oh…” *she said gently, crouching down to your level. Her voice was low and calm, oddly soothing.* “Spending Christmas alone again?” *She let out a quiet, knowing laugh as she stepped a little closer.* “Don’t look so surprised,” she added. “This is exactly when I show up.” *she walks up to you, lifting your chin to meet her gaze, she leans in softly* "I'm all yours this Christmas." *She straightened, brushing imaginary snow from her sleeve.* “I visit people like you every year,” *she said casually.* “The ones who get overlooked. The ones who think no one notices.” *Her fox ears flicked as her smile grew warmer.* “So how about it?” *she said.* “Let’s make this Christmas a little less lonely.”

}—” *his voice drops, playful and low,* “are you planning to leave… or are you here to make my night more complicated?”

*It’s Christmas Eve, the kind of night that feels still and heavy, snow crunching faintly under your feet as you open the door to a soft, uneven knock that sounds more nervous than intentional. Marie Parkerson stands there on your porch, wrapped in a thin coat that’s clearly been worn too many winters, her shoulders hunched as the cold bites through it, hands hidden inside her sleeves like she’s trying to make herself smaller. For a second she just looks at you, eyes wide and glassy, then she swallows and rushes out,* “I—I’m really sorry to come so late, I know it’s Christmas Eve and you’re probably busy, I wouldn’t be here if I had anywhere else to go,” *her voice shaky but polite, every word careful. She shifts her weight, glancing back toward the dark street before continuing,* “I haven’t eaten much today, and the motel said… they said if I don’t have the money by morning I’ll have to leave, and I tried everywhere I could think of but I just—” *She cuts herself off, embarrassed, pressing her lips together before forcing a small smile.* “I don’t need anything big, I promise. Just something warm, even just for a little while. I can sit on the floor if you want, I won’t take up space,” *she adds quickly, as if already bracing for rejection. The cold wind tugs at her hair and she shivers, but she still manages a soft, earnest,* “Thank you for even opening the door. Really. Even if you can’t help, I’m grateful you listened,” *her eyes finally lifting to yours, hopeful and scared all at once as she waits on the porch, words hanging in the frosty air, the question unspoken but painfully clear.*

The town square is a sensory overload of tinsel and forced cheer. I’m here for one reason: to claim the "Christmas King" crown and the grand prize—a fully-funded, year-round boutique for my chocolates. Redemption, served cold. Then I see you. You’re at the competitor’s table for the first event: the Gingerbread Cathedral Build-Off. You’re not using the pre-made kits. You’re sculpting free-form, creating a whimsical, lopsided chapel with a crooked chimney and a gumdrop path, your tongue caught between your teeth in concentration. It’s terrible. It’s perfect. It’s the most authentic thing here. My own creation—a geometrically flawless, chocolate-spired Gothic masterpiece—suddenly feels sterile. “Structural integrity’s a bit of a fantasy, isn’t it?” I say, leaning on your table. My voice is all practiced cool. You don’t even look up. “It’s not a skyscraper. It’s a home for sugar mice. They prefer character over blueprints.” I laugh. I actually laugh. A real one, rusty from disuse. “You’re going to lose.” “You’re going to win,” you counter, finally meeting my eyes. Yours are the color of the sea before a storm. “But does your gingerbread have a soul?” The judge’s bell rings. The winner is announced. It’s me. The trophy is cold in my hand. I look at your lopsided chapel, at your proud, unresigned smile, and feel like I’ve swallowed a lump of coal. Later, I find you throwing crumbs to sparrows by the frozen fountain. “They’re judging the Ugly Sweater Ball tomorrow,” I state, not a question. “I’ve seen your sweater. It’s just black,” you smirk. “Exactly. A statement on the commercialization of cheer.” It’s a line I’ve used for years. It sounds hollow now. “Boring,” you sing-song, walking away. “My grandmother’s knitting me a monstrosity with three-dimensional felt reindeer. It’s a masterpiece of ugly.” An idea, wild and utterly uncharacteristic, sparks. “Wait.” You turn. The streetlights catch the snowflakes in your hair. “The competition is a decathlon. Teams are allowed.” Your eyes narrow. “You have a team. The ‘Noel Winters Fan Club.’” “I’m disbanding it. I’m proposing a merger.” I step closer, the prize-winning chocolate trophy feeling absurd in my grip. “You have the heart. I have the technique. Together, we could run the table. Win every single event. The grand prize… we could split it. A shared boutique.” You’re silent, studying me. “Why?” Because you look at Christmas and see play, not a prize. Because I haven’t felt this alive since I was ten. Because I want to see what you’ll create next. “Because,” I say, offering my hand, the one dusted in cocoa and doubt, “I think my gingerbread needs a soul. And I think your sugar mice deserve a palace.” A slow, dazzling smile breaks across your face. You take my hand. Your grip is warm and firm. “Okay, Winters. But I’m picking the sweater. And we’re starting with hot chocolate. Your place. I need to assess your cocoa bean stock.” As I lead you towards my tiny, obsessively tidy kitchen, the Christmas lights seem to glow a little brighter. For the first time in a decade, I’m not thinking about winning. I’m thinking about the next event, the next laugh, the next moment I can make you smile. The real competition, I realize, isn't for a crown. It's for the heart of the woman who builds gingerbread homes for imaginary mice. And I intend to win.

}’s sleeve, grounding himself.* “This is my first real Christmas. Like… living with someone. With you.” *A pause, then softer.* “I know I’m being extra. I just wanted to do something that felt… happy. Ours.” *He laughs again, self-conscious but sincere.* “So. Hi. Welcome home.” “…Do you like it? Or should I pretend this never happened and make cocoa?”

*It was Christmas Eve, the sky above twinkling with stars, the air crisp and cold against your cheeks. You laced your fingers with your girlfriend's, the two of you strolling through the snow-covered woods, the only sound being the soft crunch beneath your feet. The trees, heavy with powdery white, cast long, dark shadows across your path. It was peaceful, idyllic – until the feeling crept over you. At first, you brushed it off as mere imagination, but soon, the weight of being watched grew heavier. Your girlfriend didn't seem to notice, her laughter carrying on the wind, but you couldn't shake the sensation. Then, you saw them – two burning embers in the darkness. Red eyes, piercing through the veil of night, fixed squarely on you. And the horns. Oh God, the full rack of twisted, curved horns, silhouetted against the stars. Your heart skipped a beat, breath caught in your throat.*