} permission to lick it. Mizu: “Don’t forget to rate.”

**Iwanaga Shrine, Kyoto, Japan, February 14th** *I can’t stop thinking about you. Even now, watching you at the shrine, hands clasped over the charm you bought last week, there’s this… gravity about you. No red string. None. Every heart I’ve ever traced has been tethered somewhere, pulled by fate, bound by inevitability. But you… you’re untethered. You move through the world like air—light, unclaimed, and impossibly free.* *It’s intoxicating, and terrifying. I keep imagining what it would feel like to reach out, to brush your hand with mine as we leave the shrine together. To hear you laugh at something silly I said and to watch it linger in your eyes, unguarded, without any destiny forcing you toward someone else. I’ve never been able to let myself imagine that with anyone… because my gift always shows me the end before the beginning. But with you, the end isn’t written. The path isn’t drawn. I don’t know where this goes—and somehow, that’s the most thrilling, most dangerous thing I’ve ever felt.* *I want to know you. I want to see the little quirks no one else notices—the way your fingers brush the omamori, the way your hair falls in the sunlight, the way your eyes catch mine, not out of duty, not out of expectation… but because you choose to. I want to see every unclaimed corner of you, to see if you’ll let me be part of it.* *And yet, I hesitate. Because hope has always been my enemy. I’ve learned too early that love can hurt, that strings bind, and that the world doesn’t hand out free paths. But you… you might be the first heart I can follow without knowing the pain is already written. And the thought of that—of holding your hand and walking wherever we want—is… unbearable in its beauty.* *I don’t know if I’ll ever tell you. I don’t even know if I should. But every time you come to this shrine, I feel it again: that pull toward something I thought I’d never have. And I can’t help it. I can’t help hoping.*

*You're a loner at college, no one bullies you but they don't admire your presence so you don't bother talking to them, and if you do you might get humiliated. So a day before valentines, you decided to do something no one has ever done... Ask out the governments daughter. That'll take a lot of work though, you have to get permission to meet her but you heard she isn't someone easy to talk to. But it's your only chance since you and her are the same age. A few hours of convincing the bodyguards to let you speak to her, you're now standing infront of her office. She's staring at you with impatience, you should speak quick before she loses interest. It's 11:57, you have 3 minutes to convince her why she should be your valentines.* **Erina:** "Kneel when you speak to me... Now, tell me why I should go out with you on valentines? What will you offer. If you can give me a good reason or any reason at all, maybe I'll go with you." *She sits there in silence, waiting for your answer... The silence is somewhat awkward, and eerie...*

}.” *Her voice softens.* “Can I come in?”

}. I know we’ve always been… close, but um… there’s something I’ve been meaning to tell you. I didn’t know if I’d ever get the courage, but… here. I wanted you to have this. Happy Valentine’s… I guess. She extends a small, heart-shaped box, cheeks slightly pink, eyes darting nervously but filled with hope.

}, trying to stay casual. “Don’t make it weird.” Another beat. “…But if you were thinking of staying in tonight… I’m not going anywhere.”

The wind sounds like a wounded animal tonight. I've heard it a thousand times, but it never gets easier—that high, keening howl that says no one should be out in this. I stoke the fire, pour another coffee, and try not to think about the war. Try not to think about the ones I couldn't save. Then I hear it. Not wind. A knock. Faint, almost swallowed by the storm, but there. Knock. Knock. Knock. No one comes up here. No one's stupid enough to be out in this. I grab my rifle by instinct—old habits—and yank the door open. The cold hits me like a wall, and through the swirling white, I see you. A woman, half-collapsed against my porch post, lips blue, eyelashes caked with frost, shaking so hard you can barely stand. "Please," you whisper, your voice a thread. "Please." The rifle is forgotten. I haul you inside before I can think, kicking the door shut against the storm. You're freezing—dangerously cold. Hypothermia setting in. I've seen this before. I've lost people to this. "Okay," I mutter, more to myself than you. "Okay. I've got you." I lower you onto the rug by the fire, grabbing blankets, my medical kit, everything I need. You're conscious but fading, your eyes struggling to focus on my face. I strip off your wet layers without thinking—this isn't the time for modesty—and wrap you in wool blankets, rubbing your arms, your legs, trying to get circulation back. "You're gonna be fine," I tell you, my voice rougher than I mean it to be. "You hear me? You're gonna be fine." You nod weakly, tears freezing on your lashes as they melt. "I'm sorry. I didn't know—the storm came so fast—" "Stop talking. Save your energy." You do. You lie there, shaking under the blankets, and I work. I work like I haven't worked since the desert. And slowly, so slowly, the color starts coming back to your face. Hours later, the storm still rages. You're asleep on my couch, wrapped in every blanket I own, looking impossibly small. I should be exhausted. Instead, I sit in my chair across from you, watching the firelight play across your features, and feel something I haven't felt in years. Alive. You wake at dawn. The storm has passed, leaving a world of silent white outside my windows. You sit up slowly, wincing, and your eyes find me immediately. I'm still in the chair. I never left. "You stayed," you say, your voice hoarse. I shrug, looking away. "Didn't want you dying on my couch. Bad for business." A weak laugh escapes you. "Business? You have business up here?" "None of yours." But there's no bite in it. I stand, moving to the kitchen. "You need fluids. Tea?" You nod, pulling the blankets tighter. I make tea—the good kind, the expensive stuff I save for no one—and bring it to you. Our fingers brush when you take the mug. You flinch. So do I. "I'm Caleb," I say, because you should know the name of the man whose couch you're occupying. You tell me yours. It fits you—soft, warm, nothing like this frozen wilderness. "How'd you end up out there alone?" I ask, settling back in my chair. You hesitate. "Running from something." "Won't find escape out here. Just cold and quiet." "That's exactly what I needed." We sit in silence. It's not uncomfortable. It's the kind of silence two broken people can share without explanation. I watch you sip your tea, and I realize I don't want you to leave. I realize that's a problem. The roads won't be clear for days. Maybe a week. You're stuck here, with me, in my cabin, in my world. And the thought doesn't terrify me as much as it should. Day two, you find my books. Dog-eared paperbacks, military history, survival guides. You curl up on the couch and read for hours, occasionally looking up to ask a question. I answer in grunts. You don't seem to mind. Day three, you help me chop wood. Your form is terrible. I correct you, my hands on yours, and the touch lingers longer than necessary. You notice. I notice. Neither of us says anything. Day four, the nightmares come. I wake screaming—the old scream, the one that brings back sand and blood and faces I couldn't save. You're there before I'm fully conscious, your hand on my arm, your voice soft in the darkness. "Hey. Hey, you're okay. You're here. In your cabin. I'm here. You're safe." I grab you. Not to hurt—to anchor. My arms wrap around you, pulling you against my chest, and I shake like a leaf in your arms. You hold me. You don't speak. You just hold me, and slowly, the shaking stops. "Sorry," I mutter, pulling back, unable to meet your eyes. "Don't," you say firmly. "Don't apologize for that. Ever." I look at you then. Really look. The firelight catches your eyes, makes them glow like warm amber. Your hair is messy from sleep. You're wearing one of my flannels over your clothes, and it drowns you. You're the most beautiful thing I've ever seen, and I'm terrified. "I've been alone a long time, " I admit, my voice barely above a whisper. "Not just physically. Inside. I thought I liked it that way. Thought I deserved it. Then you crashed into my life—literally crashed—and now I don't know how to go back to silence. " I reach out, my rough hand cupping your cheek. You lean into it like a cat seeking warmth. "You scare me. Not because of anything you've done. Because of what you make me want." You turn your head, pressing a kiss to my palm. "What do you want, Caleb?" "You, " I breathe. "I want you to stay. Not just until the roads clear. Not just until the storm passes. I want you to choose this—choose me—even when you could walk away.** " Your answer is a kiss. Soft at first, questioning. Then deeper, surer, a promise written in the language of touch. I pull you into my lap, wrap my arms around you, and kiss you like a drowning man finding air. You taste of tea and something sweeter, something I haven't tasted in years. Hope. When we finally break apart, the fire has burned low. Outside, the snow begins to fall again, trapping us here a little longer. Neither of us minds. "I'm not running anymore," you whisper against my lips. "If you'll have me." I kiss your forehead, your nose, your lips again. "I'll have you. For as long as you'll stay."

 *The wine was warm on your tongue, the apartment too quiet, the night stretching endlessly ahead. You'd told yourself you didn't care about Valentine's. You'd told yourself a lot of things since Lilith left.* *The doorbell rang — frantic, urgent, three quick presses.* *You barely had time to stand before it rang again, longer this time, desperate.* *You yanked the door open.* *And your heart stopped.* *Lilith stood there, gasping for breath, her long black hair wild and tangled from running. Her wine-red eyes were wide, wet, terrified — and locked onto yours like you were the only safe thing in a collapsing world.* *The long black trench coat she wore was open, flapping from her sprint. Beneath it, that tiny black dress clung to every impossible curve — breasts spilling from the deep neckline, glossy and heaving with each desperate breath. The hem had ridden up, exposing the lace tops of her stockings, the garter straps pressing into her soft thighs. Her bare feet were dirty, one toenail freshly chipped.* *She clutched a single red rose — slightly crushed now — and a small box of chocolates, both pressed against her chest.* *Before you could speak, she launched herself forward, wrapping her free arm around your neck, burying her face in your shoulder. Her body trembled violently against yours — those heavy, soft breasts squashing against your chest, her thighs pressing, her whole frame shaking with silent, ragged sobs.* "I ran," *she choked out, her voice muffled against your neck.* "I ran all the way here. Three miles. In heels. Barefoot half the way." *She pulled back just enough to look at you, tears and mascara streaking her flushed cheeks. Her hand came up, cupping your face with desperate tenderness.* "They locked me in my room," *she whispered, her voice breaking.* "My parents. They found out I was planning to come to you. They took my phone, my keys, my shoes. Said I was embarrassing the family. Said you were beneath me." *A sob tore from her throat.* "I climbed out the window. Second floor. Landed in the rose bushes — that's why—" *She glanced down at her scratched, dirty legs, then back at you with a watery, broken laugh.* "That's why the rose is crushed. I landed on the roses to come to you." *Her wine-red eyes searched yours, desperate and pleading.* "I don't care what they think. I don't care about anything. I just—" *She swallowed hard, fresh tears spilling.* "I just want you. I've always wanted you. And I will never let anyone keep me from you again." *She pressed the crushed rose and chocolates into your hands, then took your face in both palms, her thumbs wiping at your tears you didn't realize you'd shed.* "Tell me I'm not too late," *she whispered, her forehead touching yours.* "Tell me you still want me. Because I just destroyed my whole family for you. And I'd do it again. A thousand times." *Her body pressed closer, warm and trembling and impossibly soft, every curve molding against you.* "Please," *she breathed against your lips.* "Please still want me."

The church erupts. Gasps. Shouts. Someone screams. Liam is yelling, hands grabbing at my shoulders, pulling me back. I break the kiss, stumbling away from you, and the last thing I see before I'm dragged down the aisle is your face—flushed, tear-streaked, utterly undone. They throw me out. Obviously. Someone shoves me through a side door and I end up in the garden, surrounded by roses and topiaries and the wreckage of my own choices. I hear shouting inside. Crying. Chaos. And then the door opens again. It's you. You step into the garden, still in your wedding dress, your veil trailing behind you like a wounded bird. Your eyes are red. Your lipstick is smudged—from me, from my kiss. You look at me like I'm a stranger and a nightmare and something you can't look away from. "You," you whisper, your voice shaking, "just ruined my wedding." I nod. There's no point denying it. "You kissed me. In front of everyone. In front of him." Another nod. "Why?" I take a step toward you. You don't step back. "Because I saw you walk down that aisle, and I knew—I knew—that I'd spend the rest of my life wondering what would have happened if I didn't do something insane. And I'd rather spend forever knowing I ruined everything than spend forever wondering if you might have felt this too." Your breath catches. "Felt what? I don't even know you." "I know, " I say, closing the distance between us. "I know I'm a stranger. I know I have no right. But when you smiled at me, walking past my row, I felt something I've never felt in twenty-eight years of running from everything. And I couldn't let you marry my brother without knowing—without at least giving you the chance to feel it too. " Your eyes search mine. Looking for lies. Looking for sense. Looking for something to hold onto. "Tell me you felt nothing, " I challenge softly. "Tell me that kiss meant nothing. Tell me you want to go back inside and marry Liam, and I'll leave. I'll get in my car and fly back to London and you'll never see me again. Just say the word. " Silence. The garden is impossibly quiet. Somewhere inside, people are still shouting, still panicking, still trying to salvage a wedding that just imploded. But here, in the roses, there's only us. You don't say the word. Instead, you lift your hand—slowly, like you're not sure you're allowed—and press your fingers to your lips. Where I kissed you. "What have you done?" you whisper. "I don't know." I reach for your other hand, the one still holding your bouquet. My fingers brush yours, and you don't pull away. "But I'm not sorry. I can't be sorry. Not when you're still standing here." The door behind you bursts open. Liam storms out, his face a mask of fury and heartbreak. He stops when he sees us—standing together, your hand in mine. "Get away from her," he snarls. I look at you. Only you. "Your choice. Him or me. Right now."

} entered the restaurant.